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[Last message seemed to be a reminder that it may be advisable not to jump straight into visual connection without some sort of warning or heads-up preface.
Is unsure what a clear enough heads-up would be, deliberates a moment - and then pens in - ]
This is Anthony Janvier (the zombie). [It's a ridiculously silly thing to write but the warning's clear!] I am changing to video.
[Another pause - and connects directly with a rough - ] - Excuse - me - ... [A little thick and choppy - quick flick of his eyes down in a sense that's part additionally apologetic and part plain a tad restless.]
-- How umm -
-- If I may ask - how - [A little hoarse, this is not meant to sound critical as much as it is curious but he'd not be fretting that if it wasn't out of some subconscious, latent opinionated though - ] -- sure we are - of the -- past life or - alternate - reality - theories.
[That punctuation's not an error. It's entirely uninflected, held tense along a line, as is everything else just a little faintly, has no idea how much presumption could've been read into that.]
Is unsure what a clear enough heads-up would be, deliberates a moment - and then pens in - ]
This is Anthony Janvier (the zombie). [It's a ridiculously silly thing to write but the warning's clear!] I am changing to video.
[Another pause - and connects directly with a rough - ] - Excuse - me - ... [A little thick and choppy - quick flick of his eyes down in a sense that's part additionally apologetic and part plain a tad restless.]
-- How umm -
-- If I may ask - how - [A little hoarse, this is not meant to sound critical as much as it is curious but he'd not be fretting that if it wasn't out of some subconscious, latent opinionated though - ] -- sure we are - of the -- past life or - alternate - reality - theories.
[That punctuation's not an error. It's entirely uninflected, held tense along a line, as is everything else just a little faintly, has no idea how much presumption could've been read into that.]